Andrey Kezzyn forces us to acknowledge that "the tragic" is "the comic"―life mandating us to carry-on in the face of our own discomfort.  

He introduces delight into the controversy of watershed moments when we must decide when to laugh or cry at the circumstances we find ourselves in. 

Bursts of color are attenuated with a sensual commitment to uphold the tension between integrity and degradation in the human form through light motifs. A master of light, he heightens it, along with the onlooker’s emotions, hiding in places we usually don’t dare travel alone, even in dreams. His works do nothing less than reinvent painting with a camera. He simultaneously challenges us with a nightmarish and delightfully honest repertoire of displays of the human condition; all subject-matter one can easily be imagined turning into living theater.